Kathleen Kelley

Multi-Media Artist, Teacher, Website Design
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 Biography 

 

Fortunately, I grew up in an environment that encouraged my talent from a very early age.  As a college undergraduate, I fell in love with architecture and made a commitment to the field of historic preservation.  After college, I soon realized the connection between historic preservation and economic development and eventually specialized in historic downtown “Main Street” commercial revitalization. This work culminated in a position in Washington, D.C. traveling throughout the U.S. helping communities reclaim their economic integrity. 

 

Although I knew I contributed to the economic revitalization of many communities throughout the country, I realized that I had lost myself in my work, putting in 60-80 hours per week. So I made the infamous “quality of life” move to California, gradually shifting my life focus back to art.  I soon fell in love with two new artistic media, ceramics and Ikebana (Japanese flower arranging)--Ikebana came first. 

 

I have studied in two schools of Ikebana. The first school I studied was Sogetsu, possibly the most avant-garde and abstract form of Ikebana.  However, I felt that I was missing something, switched to the Ikenobo School, and learned the ancient philosophies I was missing.  To reflect the multi-cultural composition of northern California, I decided to establish my own school, The Tayou Bunka (multi-cultural) School of Ikebana. This is new approach welcomes people of many different cultures to learn traditional and modern techniques of Ikebana. 

 

Ceramics came to me as a wish fulfillment and a financial need.  Always fascinated by the magic of turning mud into beauty, I often envied others who had this ability.  The high cost of Ikebana vases imported from Japan finally gave me the impetus to try it myself.  I started with handbuilding and gradually learned throwing on the wheel. The first forms were, of course, Ikebana vases.  Now I enjoy a variety of forms in ceramics, from functional pottery to abstract sculpture, most recently producing pots inspired by Mata Ortiz Mexican pottery.

 

Although I continue to expand my repetroire, I keep trying to make that perfect Ikebana vase!